4/5/2024 0 Comments Dj santana mixShe and Bob Matthews are credited with recording the band’s self-titled double live album (better known as Skull & Roses), which captured performances from the spring of 1971. This year marks the 50th anniversary of two Grateful Dead-related projects in which she played an integral role. She doesn’t get too caught up in gender identity, though, noting, “I was there to do a job I loved-that’s all that really mattered to me.” Still, subsequent generations of rock professionals have been quick to acknowledge her status. She was a true pioneer, a woman defining her own path in an industry that was almost exclusively male. We were a band of gypsies, as they say, isolated on a certain level from the reality outside the bus.”Ĭantor experienced all of this while touring as a recording engineer with the band. “A lot of stuff was going on all over the world come to think of it although, at times, we were outside so much of it while we were on the road, moving in and out of things. A lot of stuff was happening,” Betty Cantor says, as she thinks back on the Grateful Dead’s creative output from the late ‘60s through the early ‘70s. We didn’t quite slow down we just went in different directions. ![]() ![]() ![]() Betty Cantor working with the Grateful Dead in Herouville, France, 6/21/71 (Photo credit: Rosie McGee)
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